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This idiot animal

Two of the final scenes

My relationship with the neighborhood had a cut rock marking the birth of Argentina as Boris literature for two scenes of violence.
The previous one was a recital. Viejas Locas had separated for two or three years and the Pity was giving one of the first concerts with Intoxicated (say the second or third) in Lacroze Theater, featuring "Good day", a record at that time was more promising, and that tests on Fridays we used to plagiarize by 50%. The day was going to get tickets with my friend Tate, grabbed me in fisticuffs the school gate, and a fateful direct hook to the jaw of the poor idiot who had later-and still do not think you want to fight, I took off my shoulder instead. The humiliation did not even interest me that the concert was a dung, Pity bombardment, was angry hastily broke the guitar (I think from a TV), and all ended at Garcia.

The other was a recital of the 25 in Cement, also with Tate. Flares vitiate all the air, but by the delirium of lice in microstage of Gimnasia y Esgrima de La Plata, was a gilada. And yet we lasted two or three issues in the classroom stage. Some peaches were placed to light Roman candles and throwing to the floor as buscapié. People were jumping stupidly because it was impossible to see when you come. One gave me right at the ankle, got warm and went to hell. But we stayed at the bar, watching it on the screen, sitting at the table of environmental boards. The other half of the concert began shitting peach to pineapple, we got everyone to the table, they would set and turning around the long banquet table. At some point they got bored, stopped fighting and began to dance rock like that, and chocolates as they were. From then on I began to inflate the balls.

years or do not know the exact times of these two events is likely to be a good time difference between each other, and that has continued even after going to some concerts. But those are the scenes that come to mind in this regard.

The ritual, mysticism, the monad

If I think of other scenes of rock and flares to me is a recital of The Lice Atlanta.Casi court suspended by rain, but stopped in the afternoon and did the same. The field was all muddy and did not have that coverage cheta that put you at River. So an hour after the announced for the beginning of the show (The lice were delayed, by the clock, three hours behind the official start, was punctual in his tardiness) and were bored, peaches began a war of mud inevitably fun, would last about an hour and a half, reducing the area alternately poguera the fence and re-expand to cover almost half court at its most uncontrolled. In this recital

spent what was always plenty of flares that were lit and if you do not have you stoked and passed very near cagabas you burning with sparks flying in all directions. I remember that for two reasons. First, because obviously it was a day out, after the war of mud, the rain was constant flares, two, three, four times a subject opened the corridor from your back and forth a swinging raved a flare, sometimes more than one raved. The pogo was special in that slippery floor and soft to the monkeys that did not stop ever, and it was difficult avivarte of flares so I followed cagabas burning. In one of these left the crowd, I went back for air, a couple of songs tranquis. And it starts to sound
Arco, a kid next to me pulled to the floor a bunch of flares and friends begin to grasp. Needless to say over and if I give away. Garments, and we move on.

The road was opened only a diagonal from the bottom right of the stage. We were like monkeys to the jumps, the flare is not burning me, because it reaches with Rebol for the sparks of shit go the other way and the fire is not I give you. The crowd opened out, and took a touch to close earlier. It was ritual, and I remember how I got almost to the fence in seconds, glowing fire everywhere.

The way of thinking

Last week, on Thursday last-page supplement to No 12 came a cover story called "Bengal rotten" by the death of Miguel Ramirez. That review was accompanied on the one hand, to the right for views of several leading rock bands. I am happy to appear as the Goat types of Las Manos de Filippi, speaking of the blame for the failures of the capitalist system. I also causes much grace, because blaming the capitalist system in the abstract is a bit useless, especially when he was an idiot who was a flare, which the views of Mono Kapanga seem more accurate. But if there must be blame in this, in ignorance of these rituals, the persistence of risky practices, a forum, to shake, delivery, if there has to be blamed "can get us off? Did not pour over all, is not a dominant ideologema fubolera a society like this? And last, what the fuck (poetic license) is "the sense of what was the rock" to be recovered, as proposed Corvater Hell?

the other, left of the main note, there is an opinion column Mariano Blejman talking about what may or may not make a band, how some bands after Cromagnon asked from the stage that went out flares. But above all is a note to throw shit to the Indian because it was never against and even said it was a very strong aesthetic image, epic. Or to praise ironically now suspend her performance and said in the statement that we are going to their concerts we refrain from fireworks. He also said somewhere that we all had to reflect on this. I do not know, in any case seems to me, if you have to hit Indian Dad, you have to hit him.

Now we know that the Indian date was delayed to September. In Junin is going to be fine cap, maybe even have many controls, it may even be worse because as we know nobody likes the police, not so much control to enter a recital. But at some point it seems that our society outside of the police. My old man says: "What folly, imagine that you one day you go to a concert and kill you and with a flare and not come back." And I think the same goes for any big turd of a human being: you step on a car, a Guachito you click on the street because he does not want to mp3, or that the train derailed because the skinny fell asleep. Unjustifiable and make mistakes when guilt is poured over the company returns as police, because the drunk will not see a rock has a high-end car passes red light. So what remains is to remove those epic moments to take care of, and is well maintained. But what the hell do we do with all this?

I reflect, I have no drama, missing about three months for the recital. But again, what the hell do. The kid who threw it will go to jail, and could one day learn to not fuck with the flare, but still have guns in the street and a lot of shit everywhere. And perhaps it is the capitalist system. And perhaps humans, this animal may be an idiot.

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The openness and paranoid

-The Argentine has two souls. An open, friendly, energetic, industrious, full of goodwill. The other, completely paranoid. I went to exchange dollars and the guy asked me the passport. He took my information, made a photocopy, he called my hotel to verify the data, made me sign a statement saying I know the law and that Argentina had won the money in a decent manner. It's ridiculous! Argentine institutions are the enemies of the people, the people are friendly and try to be efficient, but are placed in leg irons. But seeing them I realize that somehow manage Argentines. And that really commands respect.

The full interview here this Polish Drogón

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About domination

The purpose of the notebook is Chromebook dethrone Microsoft Windows operating system: "No matter what device we browsing, our operating system will be in the cloud, once again announced developers at the Google I / O. The address book, write documents, music, photos, videos, everything will be around that place apparently sure-hence the obsession to dethrone the feeling Facebook trust to give Google-products, where users have their entire lives. To make matters worse, Chromebook is the free software project irony of history. The operating system is based on Linux, an open, free and allows users to freely modify. None of this may be done locally Chromebook, since all work in the cloud. "

Mariano The entire note here Blejman

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biblioclásticos Again the fascists of the world of books

Here to read Taringa. Thanks JM for the link.
The photo was most myself, and if no means are the Nazis burning books in the '33.

The situation Drop explained by us

Many know at this point the situation faced today Drop That is why we want to explain the facts clearly as we always do our work defending and explaining the potential damage that this process could lead to Internet freedom in our country.

By 2009, Argentina's House of Books, the publishers Astrea, La Ley, Rubinzal and Associates, Ediciones de la Flor SRL, Ediciones La Rocca SRL, SRL Publishing University, Gradi SA promoted a complaint against Taringa! and elsewhere for alleged violation of law 11,723. The original complaint was not successful in a prosecution, and could only proceed, after an appeal denied.

Maybe not all of our users know that does this processing, which is why we feel good a brief, and get some clarity on how much (or little) that is being reported in this thread: Processing is an instance procedural terminating the investigation stage, facing the elevation of a criminal trial. Overall processing judges indicates that there are elements to justify a trial

What is what happened so far?
We try to hold because they hold the middle of the instrument without stopping to repair that we have not committed any conduct punishable by law. The House confirms processing from the alleged criminal involvement in criminal acts by Art 72 of Law 11,723, equivalent to arguing that as managers of a web site we guarantee to the conduct of our millions of users. This affirms the indictment of first instance to try to explain the operation of this website "This action has enabled allowing users to publish links to download copyrighted works without that power ... was avoided." Omission is passing on the control without even repair if such control is possible (this is the real discussion should be considering in justice), and then concluded in the criminal involvement (yes, you read correctly, criminal) for failure to criminal conduct that can only be accomplished by "commission", ie taking it forward.

Under this logic also accuse the providers of Internet, search engines, to blogs, social networks, etc etc. without whose participation would not have offense possible. There is a minor detail, because there is a discussion on Drop but extends to all who partake of the internet and social networks.

is the State that is responsible for the prosecution of perpetrators, and is also the copyright holders to whom the law gives them the tools to protect their works. As administrators of a website can not replace the one nor the other, we can not investigate the fate of each of the 20,000 post received daily, searching the vastness of the Internet, eventually determining the lawfulness or unlawfulness of what is there are.

This failure suggests the lack of knowledge and research that exists in our justice on the Internet and the profound impact it poses to the web of legal relationships in our world today. It is necessary for our users know we expect the trial to defend and stand up for what we believe. What is here is resolved will be critical for all of us on the Internet.


then trust that our Justice know that time judge on the basis of what we have done and is prohibited by law, as it is at risk the future of the Internet as we know it today, the future of content , of access and all the tools we use every day to work, to entertain, to inform us.

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DIGITAL TELEVISION IN ARGENTINA

A social project supported by technological innovation

Thousands of Argentines could see for the first time, the derby between River and Boca digital signal by Public Television. The previous event was not without its criticisms of open digital television (TDA), criticisms from sectors that ignores political expediency time involved to complete and secure access to the screen in all sectors of our population.

The Argentine government has distributed nearly 400 000 converters between sectors of economic vulnerability, which more than 1 million Argentines can TDA access completely free. But beyond those who have received converters, digital signal and covers an area in which they live more than 4 million people. The 17 plants transmitters installed along a 15 year allows free signals reach households that do not see anything or could see a single channel. In addition, work is progressing with the preparation of 120 000 converters for use of hearing and visual disabilities, the first time it will open easily on TV so that these sectors are not excluded.

open digital television (TDA) is a technique relatively new media of television signals that will replace analog television, which is what we know so far. In our country under the rule adopted ISDB T, our homes will receive a greater amount, free of signs and a better quality picture and sound.

But in reality this is an important thing is that this system is able to access new content, will democratize access to social and regional free TV today does not reach the entire country will be watching TV in cell-free also, and basically be a mechanism of interaction between user groups receiver and transmitter content. Then we can break the traditional vertical flow of information and entertainment and move to a true two-way relationship in the media.

The system is easily explained. The analog waveform, the famous "Hertzian wave" means binary, so it becomes zeros and ones through which is digitized. This makes the signal is compressed, so it takes up less space on the spectrum, yet consume less energy and uses less power for its implementation. The digitization of the TV is the first step towards a new economic paradigm based on digital and multi-industrial environments, goods and services. So when the President Cristina Fernández making this determination is opening a path to productive future of the nation and putting the state's ability to service the domestic manufacturing, job creation, worker training, technical and professional academic degree and opening a new universe of knowledge that is the digital communications.

This theme is based on a general framework of public policies facing our government and
passes to end the inequality in Argentina. And in the communication frame inequality exists in access to media and there is injustice in the distribution of its content. Therefore, this system is much more digital TV que un concepto técnico: se inscribe en el concepto de Justicia Social.

El Ministerio de Planificación quedó a cargo de este proyecto y el ministro De Vido fue categórico al solicitar que el primer eje a tomar en cuenta fuera el de llegar con la transmisión de la señal digital a todo el territorio nacional, impulsando firmemente una noción federal.

La televisión será igual para todos. Habrá una democratización de la estética, que no es poco para quienes, por ejemplo, viviendo en lugares cuya geografía se lo impedía (pequeños pueblos del interior o zonas de montaña), nunca pudieron apreciar la TV en forma normal. Se acabaron los ruidos y los fantasmas de la pantalla. With no more frying TDA or interference. The guys at the Gorge in Jujuy, Rio Chico in Black River and the poorest areas of Buenos Aires will see TV with the same quality as do those who live in Recoleta, Fisherton (Rosario) or in more affluent neighborhoods large cities. Contemporary

we are seeing this issue is linked with a strong installed capacity of receivers in Argentine households and in this sense, we can not have a social and compensatory eye towards the most disadvantaged sectors or perhaps an attitude for damages of rights to these sectors and collaborate from the state in providing access to the reception or a the purchase of converters. In the middle of this and as a necessary link, promote the theme of content. Transmission, content and reception are our first three approaches and we have done at a fast pace in the short time that leads the project.

While we constantly agreeing with private initiatives, is the state that he took the start of scanning, in order to not delay the access of millions of Argentines to the advantage does this technology. There are initial costs and time that have to do with the installation of transmitters, antennas, transmission-both fiber optic and satellite-new locations, etc.. Human resources is key at this stage and is emerging from universities and various government agencies, business entities, trade associations and art, women and men with expertise in this new task. The

of AD is perhaps the most important investment in technology in recent times and opens the way for a new paradigm of production in other orders not related to the media, who follow the digital path.

We are proud and satisfied with their work.


Mario Osvaldo Nemirovsci

General Coordinator of the Advisory Board of Digital Television System Argentino

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Clementina half a century later

To Página/12

A day like today, fifty years ago, went on the first computer in Argentina. "Clementina", a flower of computer science (by the standards of the time), opened his eyes for the first time. There was a teenager and just over ten years later, the deterioration and military governments gave their task completed. But his life was as short as productive, as well as to make it an important point in the history of science in our country.

was the golden age of the University of Buenos Aires. The Faculty of Sciences, with Rolando Garcia as dean, had implemented the idea of teacher-researcher, taking the current scientific thinking that made art in the world. Oscar Varsavsky was devoted to applied mathematics, José Giambiaggi worked on the theory of subatomic particles, Cora Ratto and Enzo Gentile introduced set theory and modern algebra and Gregory epistemological Klimovsky the latest trends. And Eudeba, Boris Spivacow published at very low prices and a relentless pace thousands of high quality books.

In December 1960, Clementina arrived by boat. Manuel Sadosky, Dean of Mathematics, son of a shoemaker and a doctorate in physics and mathematics, had taken steps to acquire of a scientific supercomputer last year. The bid had been submitted signatures IBM, Remington, Philco and Ferranti. The winner was a Ferranti Mercury, really a monster of 5000 glass valves, 18 meter cabinets (say, about 50 thousand times larger than current computer), which required building a special room in University City, where he also checks on the temperature and humidity. Clementina

so named because his memory had been stored in the old American song of that name, spoke, as our PC, with zeros and ones, but no monitor or keyboard. To interact with it was necessary to a reader strips of paper with holes made by the operators for binary language, always on the edge of the error and fix with tape. The programming language used, specially developed for this model was replaced by a version of its own, giving birth to the first Argentine software called Comic designed by Wilfredo Duran.

Led by Clementina and Sadosky, now recognized as the pioneer of cybernetics in the country, was consolidated Computing Institute, from which years later would launch the career of Computer Science, with courses open to the public computer. Just like playing chess and hummed a couple of tangos, Clementina was central to the development of a wide range of research. He came to work 24 hours a day, solve numerical problems, especially for the engineering and statistics, but also was used for linguistic research on language structure and translation. It provided service to various government departments, working on astronomical calculations, solid mechanics studies, and had its honorable role in the 1960 Population Census.

Our dear Clementina, the first Latin American academic computer had its great moments of action and service to both research and the productive sector. But above all, formed a large litter of science researchers. In 1966, when the brutality of the dictatorship of Juan Carlos Ongania speaking universities, the Institute of Computing suffered a blow. It was the Night of the Long poles, and the brutality of the military coup against the Faculty of Sciences and emptied it expelled the members of the Institute to other destinations. Clementina continued to operate, but the deterioration, lack of spare parts and accelerated academic leadership end. In mid-1971 was reported to cease operations and promised a replacement, which never came, in the media of high rank. Thus, Clementina was dismantled and left to be with us.

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new television camera to the initiatives of the Digital TV


general coordinator of the Advisory Board of Digital TV, Osvaldo Nemirovsci, met with members of the newly Cámara Argentina de Televisión Digital (CATD) to work jointly with an entity sector which represents more than 100 channels from around the country.

"On the instructions of President Cristina Fernandez de Kirchner and Planning Minister Julio De Vido, we work with the Federal Authority for Audiovisual Communication Services (AFSCA) to assess the situation of low-power transmitters that are dedicated to provide a broadcasting service small places, and concluded that at an early stage could have access to two or three frequencies, which can reach multiplexed digital signals 12 coverage area. It is therefore important that new emerging sector entities, because today the chances of making quality television and federal are real, "Nemirovsci highlighted during the meeting.

"The low power radio shows jubilant face of this historic opportunity, which will also allow signals having one sec, will produce a massive opening for the 46 million Argentines who use cell phones. These initiatives stem from the understanding by the national state of digital television has a strong social applicability, "said the official.

also grouped in the television business CATD anticipated that work in a coordinated way with the Digital TV Advisory Council to provide more content screens and become actors of technological change.

participated in the meeting the head of the Federation of Radio and Media (La.Co.Ra.me.Co), Osvaldo French, the president of the Cámara Argentina de Televisión Digital, Mario Valenti Mario Saliepfe and its members, Emiliano Rossi, Jorge Noguer and Javier Gonzalez.

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